What's It All About, eh?

Cape Breton evokes deep memories and strong emotions for me as well as a deep appreciation for the beauty of my adopted island. My hopes are that you too might find the photos evocative - maybe a view you've not enjoyed before, or an 'Oh I've been there', or if from away that you may be encouraged to visit this fair isle so that you might come to love and breathe Cape Breton as I do. One word about place names that I use - some are completely local usage while others are from maps of Cape Breton that I've purchased over the years. I frequently post travel and other photos that are of interest to me - and hopefully you.

On the right hand side bar find my take on Single Malt whiskey - from how to best enjoy this noble drink to reviews (in a most non-professional manner) of ones that I have tried and liked - or not. Also musings, mine and others, on life in general.

Photographs are roughly 98%+ my own and copy-righted. For the occasional photo that is borrowed, credit is given where possible - recently I have started posting unusual net photographs that seem unique. Feel free to borrow any of my photos for non-commercial use, otherwise contact me. Starting late in 2013 I have tried to be consistent in identifying my photographs using ©smck on all out of camera photos I personally captured - (I often do minor computer changes such as 'crop' or 'shadow' etc but usually nothing major), and using
©norvellhimself on all photos that I have played around with in case it might not be obvious. Lately I have dropped the ©smck and have watermarked them with the blog name.

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The Vicarage Garden under Snow



Winter (The Vicarage Garden under Snow), 
Probably January 1885, Nuenen
Vincent van Gogh
Dutch, 1853-1890
Oil on canvas, mounted to panel
23 x 31-1/8 in. (58.4 x 79.1 cm)
The Norton Simon Foundation
F.1969.39.2.P
© The Norton Simon Foundation

Raised in a parish priest’s family, Vincent van Gogh took an interest in peasants and laborers which alienated him from his middle-class community. Throughout his life, van Gogh turned to these local characters for his subject matter, depicting them at work in the fields as well as at their spinning wheels and looms, in arduous, protracted tasks. In fact, an X-ray of this picture reveals a composition of a woman seated before her spinning wheel. Whether a lack of resources or simple dissatisfaction spurred him to reuse the canvas, the artist ultimately painted a laborer tending to the garden of the vicarage where the van Goghs lived, in Nuenen. The worker appears to be clearing a path, and the barren trees, gray sky, and muddy snow present a general gloom that is broken only slightly by a few red leaves. In one of van Gogh’s hundreds of letters penned to his brother, Theo, the artist expresses his views on the parallels between peasant life and the bleak landscape: “The life and death of peasants remain forever the same, withering regularly, like the grass and flowers growing in that churchyard.”

If you care to see the x-rayed painting go to:

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